The pregnant Anna is tormented by nightmares. The film is situated in a sanatorium where Anna’s dreams and memories are juxtaposed with events at Anna’s home, where she has two children. In the meantime, a special yet doomed relationship develops in the clinic between the young women and Leonore, one of the nurses. Much of the film was re-shot a second time from a monitor, for which the director developed a special camera. In addition, van Houten thought of a way to filter the images of Anna’s memories and re-scanned them to make the newly created images reminiscent of paintings.