For Zerda and the Songs of Forgetting, Assia Djebar and her co-author Malek Alloula spent half a year in the Pathé and Gaumont film archives watching footage shot by French documentary filmmakers between 1912 and 1942. Their montage sifts through these “images of a deadly gaze” for the reality they conspicuously elide, for the resistance that has retreated “behind the mask”. The soundtrack blends together poetry, recitations, and experimental music into a polyphonic swan song to colonial violence.