How do we negotiate the photographing of images that contain the body? What experiential, political or aesthetic contingencies do we bring to both the making and viewing of a cinema that contains the human form? If a body is different from our own – in terms of gender, skin color, or age – do we frame it differently? How does looking at a body on screen make us feel? At CCA, New York filmmaker Lynne Sachs will guide her audience through her own evolution as a filmmaker by sharing excerpts from her own films. In this way, she will explore the fraught and bewildering challenge of looking at the human form from behind the lens.